When Elvis returned to Las Vegas and touring in 1969, he insisted on employing only Black female groups as his backing singers. His favorite was the Sweet Inspirations. (Image: Wikipedia)<\/figcaption><\/figure>\n\u201cTracing the rumored racial slur to its source was like running a gopher to earth,\u201d Louie Robinson wrote. \u201cNo matter what hole it dived back in, it popped out of another one.\u201d<\/p>\n
Some people interviewed by Robinson repeated Sepia<\/em>‘s claim that Presley had uttered the comment in Boston, a city Elvis had yet to visit at that point.<\/p>\nOthers claimed he said it on Edward R. Murrow’s show, on which Elvis had never appeared.<\/p>\n
Robinson then asked several Black people who knew Elvis whether they believed he could say such a thing, even in private to another white person. Not a single person did.<\/p>\n
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In the summer of 1957, Robinson finally landed an interview with Elvis himself in his dressing room on the Hollywood set of the movie “Jailhouse Rock.”<\/p>\n<\/div>\n
\u201cI never said anything like that,\u201d he stated emphatically, \u201cand people who know me know I wouldn\u2019t have said it. A lot of people seem to think I started this business. But rock n’ roll was here a long time before I came along. Nobody can sing that kind of music like colored people.\u201d<\/p>\n
Robinson’s investigation not only declared Elvis innocent of the charge, it went as far as stating: “To Elvis, people are people, regardless of race, color, or creed.”<\/p>\n
While this should have cleared Elvis of voicing the racist comment once and for all, the charge still survives as an urban legend all these decades later.<\/p>\n
“Many whites in the 1950s, including celebrities, had used anti-Black rhetoric,” wrote David Pilgrim, curator of the Jim Crow Museum of Racist Memorabilia, in a 2006 statement published on Ferris State University’s website. \u201cIt was easy to believe that Presley, the Mississippi-born, once-working class, former truck driver had ungratefully lambasted Blacks.”<\/p>\n
But Pilgrim continued, “There is no evidence that it happened … Moreover, there is<\/em> evidence that Presley donated money to the NAACP and other civil rights organizations; (that) he publicly lauded Black musicians; and (that) he treated the Blacks he encountered with respect.”<\/p>\nElvis’ Black Roots<\/h2>\nFats Domino with Elvis in an undated photo from the 1960s. (Image: X\/Twitter\/@therealfatsdomino)<\/figcaption><\/figure>\nElvis grew up on the Black side of the railroad tracks in the segregated American South. Though none of his schools were integrated, most of his good childhood friends were Black. He learned his Gospel inflections and hip-shaking moves during the \u201csanctified meetings\u201d he was invited to attend in the all-Black churches of Tupelo, Miss.<\/p>\n
In Memphis, the two African-American newspapers, The Memphis World <\/em>and The Tri-State Defender,<\/em> hailed Elvis for standing up to society’s rules of exclusion. In the summer of 1956, the World<\/em> reported, \u201cthe rock n’ roll phenomenon cracked Memphis\u2019s segregation laws\u201d by attending the Memphis Fairgrounds amusement park \u201cduring what is designated as \u2018colored night.\u2019\u201d<\/p>\nA month later, Elvis attended a charity event sponsored by WDIA,<\/em> Memphis’ Black radio station. Its all-Black roster of performers included B.B. King, who sang Presley\u2019s praises. \u201cWhat most people don\u2019t know,\u201d King said, \u201cis that this boy is serious about what he\u2019s doing. He\u2019s carried away by it. When I was in Memphis with my band, he used to stand in the wings and watch us perform … He\u2019s been a shot in the arm to the business, and all I can say is, \u2018That\u2019s my man!'”<\/p>\n’68 Comeback Special<\/h2>\n Probably the best refutation of Presley\u2019s rumored racism is the story of what was supposed to be a ho-hum NBC<\/em> Christmas special titled \u201cSinger Presents … Elvis,\u201d after the sewing machine company. The special was set to close with Elvis singing the 1943 Bing Crosby standard, \u201cI\u2019ll Be Home for Christmas.\u201d Both NBC<\/em> and Col. Parker insisted on it.<\/p>\n\n
But that just didn\u2019t sit right with Elvis. Robert F. Kennedy and Martin Luther King had recently been assassinated, and the world seemed like it was coming apart at the seams. Elvis thought he should end the special with a speech promoting brotherhood and unity. It’s said that this was the first time in his career he cared passionately enough about something to stand up to Parker over it.<\/p>\n<\/div>\n
But Elvis, who wasn\u2019t a writer — he sang songs written by others — just couldn\u2019t come up with the right words. Luckily, the show\u2019s director, Steve Binder, had a better idea. Instead of talking about brotherhood, Elvis should sing about it. And the vehicle should be more than just a song. It should be a gut-wrenching declaration of racial equality.<\/p>\n
Binder shared his idea with the show\u2019s vocal arranger, Earl Brown, who had co-written \u201cIn the Shadow of the Moon\u201d for Frank Sinatra. Brown went home that night and pulled an all-nighter with his piano. By 7 a.m., he had written arguably the best song Elvis would ever record.<\/p>\n
\u201cIf I Can Dream\u201d imagines Dr. King\u2019s vision, where \u201call my brothers walk hand in hand,\u201d then asks, \u201cwhy can\u2019t my dream come true \u2026 right now?\u201d<\/em><\/p>\nElvis channeled his inner Mississippi revivalist preacher, raising his voice and flailing his arms as if leading a sermon. The song took several takes to nail, not because Elvis was off, but because the band and all-Black backing singers, including Darlene Love, kept choking up at his impassioned performance.\u00a0 \n<\/em><\/p>\n